Saturday, October 31, 2009

A Pair of Giants





Over the past few days I've been lucky enough to be in the presence of two of my comic book heroes. 

Last Saturday, I went to a CAPS dinner honoring Gene Colan.  Although Gene's doctors wouldn't allow him to travel to California, we were able to link up with him at his home in Brooklyn via the computer on SKYPE.  Mark Evanier, Gerry Conway, and Marv Wolfman were among the guest speakers.  Wolfman had commented on how Colan had made him better writer because Gene's naturalistic figures made it impossible for him to get away with writing bad dialogue.  It was great that he and his wife Adrienne could share the moment with us despite being 3000 miles away.  I was lucky enough to get a few minutes of one on one time with Gene at the end of the event.






On Thursday night, I saw a rare appearance by Robert Crumb at UCLA's Royce Hall.  I felt lucky to get in because the reclusive Crumb rarely makes public appearances. The talk was moderated by Francoise Mouly ( The New Yorker, RAW ).  Crumb talked about his life growing up, his current life in France, and his most recent project "The Book of Genesis Illustrated". This project was four years in the making for Crumb.  He originally expected it to be a year and a half project, but 40 pages in he realized this was going to be a much bigger project.  The work is amazing and the Hammer Museum is displaying every original page from the book from Oct. 24-Feb. 7.  More info here.

Sunday, September 20, 2009

Some Costume Work




Been putting up a lot of comic stuff lately, so I think I'm going to start posting a bit more of my film work.

Here are a few costume illustrations I did for G.I.Joe: Rise of The Cobra. It was a fun gig. I was originally only supposed to be on the show for a few days during an emergency push, but it expanded into a much longer gig. The show really employed a who's who of concept illustrators in town. Some really amazing work was done for both the art and costume departments. I've only had a couple of opportunities to do costume, and find it to be a lot of fun. I worked with the costume designer before and there always seemed to be great work coming out of her crew. The other costume illustrators, Ed Natividad and Christian Cordella, did some amazing work. I've posted a couple of sketches I did of Scarlet and a photoshop comp I did of a Cobra Trooper.

Tuesday, August 25, 2009

Has 30 years made any difference?




So as I mentioned in a previous posting, I was going to redo the Tarzan drawing I did when I was a teenager in 1979. I redid it under similar "battleground conditions" as I had done it in 1979. I had no pencil sharpener, no eraser, no rulers or templates, no computer or internet, no reference ( except a printout of the '79 drawing ), and only an hour to do it in ( I did the original drawing in a junior high school art class ). I kind of went into this thinking I would blow my old drawing away, but surprisingly, it wasn't that easy. I had a hard time drawing the tiger completely out of my head ( Yes, I know there are no tigers in Africa. Didn't know that back then!) How did I ever survive without Google Images! The main difference I see is that I work a little more methodically now. A little neater and less careless. It was an interesting experiment. I may try it again soon, only allowing myself the luxury of my pro equipment and reference etc. Otherwise, I'll try this again in 2039!

Wednesday, July 15, 2009

Striking Work!







For the past year or so, the film industry has been rocked by threatened writer and actor strikes. This has meant a slowdown in film production. The resulting down time has allowed me to explore some more comic-related work.

Thus came the title of my new 2009 sketchbook, STRIKING WORK! It's making it's debut at the 2009 San Diego Comic Con. It's perfect bound, with 40 black and white pages. Limited to 300 signed and numbered copies. Some of the work has been seen here on the blog, but I've also added some oldies but goodies that you probably haven't seen, as well as 20 brand new sketches ( made exclusively for the book! )

So if you're in San Diego, please come by my table at Artist Alley ( EE02 ) and pick up your copy. In addition to STRIKING WORK, I'll be selling the 20 original art pieces I did for the book. There will also be copies of SECRET IDENTITIES and ROB HANES ADVENTURES #12 for sale. There are also very limited quantities of my four 24-Hour Comics and BABES IN SPACE.

And while you're at it, check out my brother Anson's cool new aptly titled color artbook, SHOW ME THE BODY! It's got figure drawings, monsters & robots, drawing tips, and even an animated flipbook! His table is right next to mine at EE01.

I will also be at two panels at the convention:

SATURDAY
10:30-11:30 Film Illustrators— Films, graphic novels, and comic books: what does it take to work as an illustrator in this ever-changing, challenging world of imagination? Meet the professionals who work with the writers, directors, producers, and production designers in the dynamic craft of creating iconic images for films and comics from the words on a page. Panelists are Tim Burgard (X-Men Origins: Wolverine), Trevor Goring (Waterloo Sunset graphic novel), Gabriel Hardman (Heathen Town graphic novel), Benton Jew (Star Wars: The Phantom Menace), and Phil Saunders (Iron Man). Moderated by Geoff Boucher of the Los Angeles Times. Room 10

SUNDAY
2:00-1:00 How-To Session: Benton Jew— Benton Jew is a storyboard/concept illustrator and comic book artist from Los Angeles. He began his career in film at George Lucas's Industrial Light & Magic, where he provided artwork on The Mask, The Mummy, and Star Wars Episode I: The Phantom Menace. He has also done some comic book work and has recently contributed art to Secret Identities: The Asian-American Superhero Anthology, Rob Hanes Adventures and Marvel's Agents of Atlas and Hulk Family. Benton will present more information on the creative process from storyboarding on major motion pictures to independent publishing. Room 18

Below is a list of booths and tables you should visit. This list will grow, so if you want me to add you, drop me a line.

Anson Jew (Artist's Alley EE-01)
Benton Jew (Artist's Alley EE-02)
Sho Murase (Artist's Alley GG-01)
Wayne Lo (Artist's Alley LL-07)
Bosco Ng (Artist's Alley KK-04)
Steward Lee (Artist's Alley KK-10)
Vaughn Ross (Artist's Alley GG-02)
Dan Panosian (Artist's Alley II-15)
Gene Yang (Artist's Alley AA-04)
Gene Colan (Artist's Alley AA-16)
Russ Heath (Artist's Alley AA-14)
Tony DeZuniga (Artist's Alley BB-04)
Derek Thompson, Ted Mathot (#1215)
FLIGHT /Kazu Kibuishi, Sonny Liew(# 2329)
Pixar artists: Scott Morse, Jeff Pidgeon, Ronnie del Carmen, Enrico Casarosa (#4800)
Stephen Silver (#H6)
Sam Hiti (#1831)
Kevin Dart / Fleet Street Scandal(#1316)
Paul Briggs (#4039)
Martin Hsu (#G-02)
Secret Identities (#1735)
Randy Reynaldo (#S14)
Abismo/ Nerve Bomb ( #1329)
Dean Yeagle (#1037)
Christian Alzmann Studios (#4916)
Stan Sakai (#4906)
Steve Leialoha (#I06)
Sergio Aragonés (#I07)
Sean "Cheeks" Galloway (#2544)
Stuart Ng Books (#5012)
The Blvd./Trevor Goring, Bernard Chang etc (#1821)

More coming. And with links...

Tuesday, June 30, 2009

It's almost July....



Sorry. I've almost gone through the entire month of June without posting!

I recently did some artwork for the first ever Kiyama Awards. The award is for the first Asian American ComiCon that will be happening in NY soon. To see the artwork ( which will be engraved on a glass tablet ), and to find out more about Kiyama, the Kiyama Awards, and the Asian American ComiCon, go here or here

I'm currently trying to get a sketchbook out for San Diego Comic-Con. I know I'm cutting it close. The sketchbook will be called Striking Work and will be available at my artist alley table (EE02). Here is one of the images from the book, which I've colored for the blog ( the sketchbook will be black and white ). More info on the sketchbook, and what I will be doing at the convention coming soon!

Thursday, May 28, 2009

Drawing From My Youth

At a recent CAPS ( Comic Art Professional Society ) meeting, we had an interesting assignment--to bring a piece of artwork you created as a kid.  It was fun digging through all that old stuff.  It was interesting to see drawings I hadn't seen in years, and how that work shaped my abilities as an adult.

One of the oldest pieces I found was drawn in the back of one of my first art books. It was a well worn copy of "Drawing the Head and Hands" by Andrew Loomis that was handed down to me from my mother.  There were a bunch of doodles that me and my brother did in the blank back pages of the book.  Of note was this one I did around 1975 ( age 11 ) of some famous celebrities of the time.  I vaguely remember referencing a book of TV stars I got from Scholastic Books to do this.  Clockwise from upper left:  John Shuck, Rock Hudson, Susan St. James ( the cast of MacMillan and Wife ), Elvis Presley, Efrem Zimbalist Jr. (from F.B.I ), James Brolin (from Marcus Welby ), and singer John Denver.  


I also found this drawing of Tarzan I did in August of 1979( age 15 ).  I believe it was an art class assignment.  I'm thinking of redoing this drawing for my August 22nd post this year.  It would be a thirty year gap between the two drawings.  Hopefully, I've learned something since then!


Below is one of a series of little quick sketches I did of boxing matches.  I had developed an intense interest in boxing at the time and would try to recall the moves I saw on TV.  This exercise not only taught me a lot about boxing, but drawing and choreographing the figure in action.  I did tons of these little doodles.  Many of these drawings were recreations of big fights of the time, including Sugar Ray Leonard beating local boxer Pete Ranzany, Wilfredo Benitez, as well as some pages with Muhammed Ali.  This drawing was probably done in the late 70's or early 80's.
Below is an X-men mini-comic I wrote and drew called "Attack of the 50 foot Mutant."
This was a project I did in my senior year of high school for my printing class.  It's an 8-page mini-comic I had planned to use as part of my portfolio to get into Marvel Comics upon graduating.  It was quite an ambitious project.  I had to shoot negatives of the art and burn plates, run them on the big Heidelberg offset press, fold and staple everything.  It didn't get me into Marvel, but it taught me a lot about the printing process. 


As a teenager I got involved in the whole fanzine thing.  I was a member of NYAPA ( The New York Amateur Press Alliance ).  Every other month I would write movie reviews, short stories, and comics and staple copies of this xeroxed mini-zine together and send it off to a "central mailer" who collected all the other mini-zines from around the country and distributed the collated piece to the rest of the membership.  We would then comment on each other's little 'zines.  It was really kind of a forerunner to blogging.  I did several comics features this way.  One of note was a romance strip I did.  I was intent to not just focus on superheroes and monsters beating each other up ( although I did plenty of those too ) but to learn how to do drama as well.  Odd thing for a high school aged boy to draw at the time, but it taught me a lot. Below is a page from "Deb", written by fellow NYAPA member Tom Muck.
After seeing this challenge to draw yourself as a teen, I thought of doing one, but realized I already had done one. "The Filler" was a little autobiographical 1-pager I did in my late teens.  There are all kinds of inside jokes in this piece that were specifically geared to the NYAPA membership, so they won't really make much sense to anyone else.  It's a pretty accurate portrait of how I looked back then.  Big hair and glasses, and all of 117 lbs at 5'11"!

THE CHALLENGE: It was fun  going through this old stuff.  It's a bit embarrassing to show this old stuff, but it was also kind of enlightening as well.  It really showed me where I've come and gone as an artist.  I'd love to see some of the childhood drawings of some of you out there, especially some of you high-fallootin' professionals out there.  It would also be nice to see you redo a piece and put it side by side with your original childhood drawing.  I will do the same and I will collect all the links here.  C'mon artists!  Lets see it!  Don't be shy!


Wednesday, April 15, 2009

Secret Identities Revealed to the Public TODAY!


Secret Identities: The Asian-American Superhero Anthology is out in stores today!
If you can't find it in your local comics store, request it!  Apparently, it's been hard to find in some areas, so if you find it in a store, please let me know so I can post those locations here.
Above is a drawing I did featuring characters from the 8 page story I did for the anthology called DRIVING STEEL. Written by Jeff Yang, it's kind of a supernatural western taking place during the building of the transcontinental railroad. Apparently, pages from the anthology will be auctioned off for charity at some point .  As my pages were done digitally, there were no "originals" to speak of, so I did this original pin-up separately for the auction.  I did this with real pen/brush and ink on standard comic paper.  It's the first time in a while that I've done something non-digitally and at that size ( if I do any real pencilling these days, it has to fit in my 8.5"x 12" scanner ). Boy it was hard going back to analog... I kept wanting to "undo"!  I added color in Photoshop for the blog, but the black and white original can be yours at a future date. Stay tuned for details!